Type | List | Author: Title, Series, Vol/No (Year/Month/Date of Publication), Pages | Status | | 1. | Aldrich, Putnam: The Principal agréments of the 17th and 18th Centuries. A Study in Musical Ornamentation. diss. (1942), 687 Bl. PhD diss., Harvard University, 1942. 687 Bl. | |
| 2. | Aldrich, Putnam: Bach's Technique of Transcription and Improvised Ornamentation. MQ 35/1 (Jan 1949), 26-35. | |
| 3. | Aldrich, Putnam: Ornamentation in J. S. Bach's Organ Works. New York: Coleman-Ross, 1950. 61p. - New York: Da Capo Press 1978. 61p. | |
| 4. | Aldrich, Putnam: Bachs Verzierungen, insbesondere in seinen Orgelwerken. MKirche 26/2 (1956), 51-60. | |
| 5. | Aldrich, Putnam: The 'Authentic' Performance of Baroque Music. [fs]Davison (1957), 161-171. | |
| 6. | Aldrich, Putnam: The Role of Improvised and Written Ornamentation in the Evolution of Musical Language. [cr]NewYork1961 2 (1962), 166-171. [A report on a roundtable consisting of Putnam Aldrich, Robert Donington, Edith Gerson-Kiwi, Imogene Horsley, Erwin R. Jacobi, Otto Kinkeldey] | |
| 7. | Aldrich, Putnam: On the Interpretation of Bach's Trills. MQ 49/3 (Jul 1963), 289-310. | |
| 8. | Aldrich, Putnam: 'Rhythmic harmony' as taught by Johann Philipp Kirnberger. [fs]Geiringer70 (1970), 37-52. | |
| 9. | Aldrich, Putnam: Wanda Landowska's 'musique ancienne'. Notes 27/3 (Mar 1971), 461-468. | |